Wildflower sublimation designs
50 wildflower designs, drawn as full-colour sublimation art, printed rather than cut. The set covers loose meadow-style stems, seed heads and mixed bunches. They are made for wall art, tote bags, kitchen towels, journal covers, wedding stationery and layered shadow-box pieces.
50 designsSublimationsNew



Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
Included with the Maker plan
What people make with wildflower sublimations
Wall art, tote bags, kitchen towels, journal covers, wedding stationery and layered shadow-box pieces — those are the pieces this collection gets used for. In this format they go on polyester shirts, poly-coated tumblers, mousepads, ceramic mugs and sublimation blanks — polyester or a poly coating only, never untreated cotton.
Printing and pressing
Sublimation is not a cutting job — nothing here gets weeded. Print onto sublimation paper with sublimation ink, then press at roughly 385–400°F for 45–60 seconds depending on the blank. The ink turns to gas and bonds into the polyester, which is why it only works on polyester or a poly-coated surface, and why it will not show on cotton or on a dark garment.
Getting wildflower designs right
Sublimation ink bonds only to polyester and polymer coating, so the blank decides the result more than the artwork does — the same file is vivid on a coated mug and washed out on cotton. Fine stems snap on the weed. Group each stem with its bloom so they lift as one piece. Florals are the most layer-heavy subject in the catalogue — petals, leaves and centres are separate colours. Nest all layers on one mat before cutting; a five-layer floral laid out naively wastes more vinyl than any other design type.
Exporting for your machine
Export PNG at final physical size and at least 300 DPI, then print onto sublimation paper. There is no cut line and no weeding — the design is pressed into polyester, not cut from vinyl.
Cut, score, draw and engrave operations are written as named layers, so Cricut Design Space, Silhouette Studio and laser software map them to the right tool without manual reassignment. For a printed sheet, the print-then-cut guide covers registration and bleed.
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